Interview With “Lady In The Lake” Music Editor Jillinda Palmer
Ian Vargo: Thanks for taking the time for this interview. Can you discuss your background and what got...
The Mesmerizing Sound Installations of Zimoun (interview and examples)
Zimoun is a Swiss artist who creates monumental sound art installations that often involve the use of...
9 Questions with Vinny Alfano – Audio Engineering for Comedy and Much More
Vinny Alfano has been doing audio engineering for comedy for quite some time now, working with some of...
Krotos Studio Pro: The Revolutionary Sound Design Tool Just Got Better! (Review + 10 Examples and Exclusive Interview with the Developers)
Krotos–a respected developer in the audio industry, has once again pushed the boundaries of sound design with its...
Co-Producer by Output: The Singularity is Fast Approaching (+ Interview with Spencer Salazar)
The introduction of Co-Producer by Output exemplifies a new era for music and audio production. We are...
Score Mixer of ‘Percy Jackson and the Olympians’ Ryan Sanchez (Interview)
I recently interviewed Score Mixer Ryan Sanchez, who has worked on more than 400 episodes of TV, including...
The Incredible Speed of GPU Audio Processing: Interview with Bill Collins from GPU.audio
Recently, I came across an announcement from GPU Audio announcing a partnership between that company and Audio Modeling,...
An Interview with Re-Recording Mixers Nick Offord and Ryan Collins: Crafting the Powerful Sound of Dopesick and Pam & Tommy
I recently spoke with Emmy-Nominated re-recording mixers Nick Offord and Ryan Collins, who discussed coming up in the industry, and their...