The Sound of The Righteous Gemstones – An Interview With Sound Supervisor Nicholas Renbeck and Music Editor Michael Brake
Recently I was fortunate enough to have a conversation with members of the incredibly talented team responsible for...
Ben Baird Interview- 14 Questions with the Conclave Sound Supervisor
I was so fortunate to have recently had a conversation with Sound Designer and Sound Supervisor Ben Baird,...
Interview with Brendan Byrnes: The microtonal guitarist and producer discusses his stunning new album, Astral Bloom.
It’s unusual to find an artist and instrumentalist equally talented at playing as they are on the production...
Interview With “Lady In The Lake” Music Editor Jillinda Palmer
Ian Vargo: Thanks for taking the time for this interview. Can you discuss your background and what got...
The Mesmerizing Sound Installations of Zimoun (interview and examples)
Zimoun is a Swiss artist who creates monumental sound art installations that often involve the use of...
9 Questions with Vinny Alfano – Audio Engineering for Comedy and Much More
Vinny Alfano has been doing audio engineering for comedy for quite some time now, working with some of...
Krotos Studio Pro: The Revolutionary Sound Design Tool Just Got Better! (Review + 10 Examples and Exclusive Interview with the Developers)
Krotos–a respected developer in the audio industry, has once again pushed the boundaries of sound design with its...
Co-Producer by Output: The Singularity is Fast Approaching (+ Interview with Spencer Salazar)
The introduction of Co-Producer by Output exemplifies a new era for music and audio production. We are...
Score Mixer of ‘Percy Jackson and the Olympians’ Ryan Sanchez (Interview)
I recently interviewed Score Mixer Ryan Sanchez, who has worked on more than 400 episodes of TV, including...
The Incredible Speed of GPU Audio Processing: Interview with Bill Collins from GPU.audio
Recently, I came across an announcement from GPU Audio announcing a partnership between that company and Audio Modeling,...